{"id":32400,"date":"2021-09-11T22:46:00","date_gmt":"2021-09-11T20:46:00","guid":{"rendered":"https:\/\/www.bellitalie.org\/?post_type=destination&p=32400"},"modified":"2026-09-30T22:13:03","modified_gmt":"2026-09-30T20:13:03","slug":"basilica-of-san-lorenzo-milan","status":"publish","type":"destination","link":"https:\/\/www.bellitalie.org\/en\/destination\/lombardy\/milan\/basilica-of-san-lorenzo-milan\/","title":{"rendered":"Basilica of San Lorenzo, Milan"},"content":{"rendered":"\n

Near the ancient original medieval gate of <\/span>Porta Ticinese<\/span><\/strong> from the 12th century, stand ancient columns facing the forecourt of the <\/span>Basilica of San Lorenzo, Milan<\/span><\/strong>. In the centre stands a statue of Emperor <\/span>Constantine<\/span><\/strong>, commemorating his Edict of Milan which granted freedom of worship to Christians in 313. It is in fact a 20th-century copy of a 4th-century statue kept at St John Lateran in Rome.
The Piazza Vetra behind the basilica was a place of execution for those condemned as witches. At this spot the statue of Saint Lazarus was erected.
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The basilica<\/h2>\n

The <\/span>Basilica of San Lorenzo, Milan<\/span><\/strong> (<\/span>Basilica San Lorenzo Maggiore alle Colonne<\/span><\/em>), dedicated to Saint Lawrence of Rome, was built between the year 390 and 410 AD, in late Roman times, probably on the site of a <\/span>Roman amphitheatre
<\/span><\/strong>It was the influential <\/span>bishop Ambrose of Milan<\/strong>, who became the city’s patron saint, who was behind its founding, as with three other basilicas in the city: San Nazaro, San Simpliciano and Sant’Ambrogio, the most imposing of the four.
It was originally designated as a palatine basilica, being close to the Roman imperial palace of Mediolanum (Milan).<\/span><\/p>\n\n\n

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Roman colonnade<\/figcaption><\/figure>\n\n\n\n
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Fa\u00e7ade of San Lorenzo and statue of Constantine<\/figcaption><\/figure>\n\n\n\n
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Dome of San Lorenzo<\/figcaption><\/figure>\n<\/figure>\n\n\n

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The building was rebuilt in the 12th century in Romanesque forms, after the collapse of the great dome in 1103, and in the 16th century, notably by Martino Bassi. The current fa\u00e7ade dates from 1894.
The building has nevertheless kept its original layout from Roman times, with a square central body covered by an immense dome, and a succession of superimposed circles. During the Renaissance, great architects came to study the structure supporting the monumental dome, such as Bramante and Leonardo.
Four apses border the central square, incorporating an ambulatory all around, with pierced triangular pilasters and exedrae. From the ancient early Christian basilica, the Sant’Aquilino Chapel<\/strong> (Saint Aquilinus) and the Sant’Ippolito Chapel<\/strong> (Saint Hippolytus) have come down to us.
<\/span><\/span>Among the many remains <\/span><\/span>ancient<\/span><\/span><\/strong> and <\/span><\/span>early Christian<\/span><\/span><\/strong>, are the precious 4th-century mosaics in the octagonal chapel <\/span><\/span>Sant’Aquilino<\/span><\/span><\/strong>, <\/span><\/span>and i<\/span><\/span>n <\/span><\/span>the basement are stones from the foundations of the Roman amphitheatre.
Otherwise the vaults were painted by <\/span><\/span>Carlo Urbini <\/span><\/span><\/strong><\/p>\n\n\n

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San Lorenzo Columns<\/h2>\n

These sixteen Corinthian marble columns, taken from an ancient building, were arranged as they are today during the construction of the basilica, from elements such as bases, column shafts, capitals or fragments of architrave, the oldest of which date back to the 2nd century AD.
Centre of the Porta Ticinese district<\/strong>, and close to the Navigli<\/a><\/strong>, they are also a meeting place, close to many bars and trendy venues.<\/p>\n\n\n

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Map<\/h2>\n
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Information<\/h2>\n