It then became the residence of the Dukes of Milan, being embellished on occasion by numerous artists such as Leonardo da Vinci in the time of Ludovico Sforza, who set up his workshop there and painted several frescoes, or Bramante. The lords of Milan resided there until the 16th century, when the building once again took on the role of a military citadel, generally controlled by foreign powers until the 19th century, including Austrians, French, and Spaniards. During this period, the castle became a place hated by the Milanese, being associated with war and the oppression of the occupiers.
Avoiding demolition, it was completely restored at the end of the 19th century.<\/p>\n\n\n
![\"sforza-castle-milan_1535\"](\"https:\/\/www.bellitalie.org\/wp-content\/uploads\/2021\/09\/chateau-des-sforza-milan_1535.jpg\")
<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n<\/figure>\n\n\nVisit and museum<\/h2>\n
While the exterior is massive and imposing, the interior offers graceful courtyards with elegant salons. Due to the many rearrangements, only the Salla delle Asse<\/strong> (Hall of the Axes) is original. The museum’s collection, probably the most interesting in the complex, preserves sculptures from places of worship, excavations, city gates and Milanese residences. These are mainly Lombard works made between the 5th and 16th centuries, with sculptures by Tuscan artists. The collection of this section documents the cultural and technological evolution of the main cultures from the Neolithic (6th-4th millennium BC) to Romanisation (end of the 2nd century BC), with knapped or polished stones, ceramics. This is one of the most important collections in Italy, illustrating various aspects of the rich Egyptian society, from the figures of the pharaohs to craftsmanship, with objects of worship (statues of deities, amulets or mummies), sarcophagi, or objects of daily life. The space of the former Spanish hospital of the castle has housed since 2015 the Piet\u00e0 Rondanini<\/em>, the last work of Michelangelo Buonarroti<\/strong>, who worked on the sculpture during the last ten years of his life, notably modifying it.<\/p>\n\n\n Collection of paintings mainly Milanese and Lombard from the 15th to the 18th centuries which were left to the city by families of nobles and collectors, enriched by a selection of Venetian, Flemish and Dutch works of the 17th century, with local names such as Foppa<\/strong>, Bramantino<\/strong> and Bernardino Luini<\/strong> for the most regional ones, and also Mantegna<\/strong>, Giovanni Bellini<\/strong>, Lorenzo Lotto<\/strong>, Correggio<\/strong>, Tintoretto<\/strong> and Canaletto<\/strong>. This museum has an important collection of high-quality manufactured objects, in particular Italian ceramics from the Renaissance to the 19th century, precious ivory pieces from late antiquity and the Middle Ages, medieval goldsmith work and Renaissance bronzes. This museum tells the history of furniture from the 15th to the 20th century, including wooden sculptures of the Renaissance, placed in their period context, accompanied by contemporary objects and paintings. A section is dedicated to contemporary furniture with creations by masters.<\/p>\n\n\n The collection of musical instruments is one of the most important in Europe, with nearly 900 objects from around the world, string, keyboard and wind instruments, including remarkable pieces, from the oboe to the viol. There is also the sound equipment of the Rai studios in Milan which produced, among other things, experimental electronic music until the 1980s.<\/p>\n\n\n One can visit part of the castle such as the courtyard without having to access the museums.<\/p>\n
The monumental complex houses several municipal museums, known as Musei del Castello<\/strong>: the Museum of Ancient Art<\/strong> (Lombard, from the 4th to the 16th century), the Museum of Decorative Arts<\/strong> (ivories, glass, ceramics, fabrics, etc.) and the Picture Gallery<\/strong> (Italian painting from the 13th to the 18th century, including Lombard and Venetian) around the Ducal Courtyard. In the basement are the Prehistory, Protohistory and Egyptian<\/strong> sections of the city’s Archaeological Museum<\/strong>, while the Rocchetta houses the Museum of Musical Instruments<\/strong> and the Museum of Art Objects<\/strong>.
Among the masterpieces kept there, the Piet\u00e0 Rondanini<\/em> is in a dedicated room. It is an unfinished work and the last by Michelangelo<\/strong>. One can also discover the frescoes of Leonardo da Vinci<\/strong> in the Museum of Ancient Art, the tapestries of Bramantino<\/strong> in the ballroom, several remarkable paintings, etc.<\/p>\nMuseum of Ancient Art<\/h3>\n
The visit passes through rooms of the ducal apartments, including the Ducal Chapel and the armoury with displayed weapons, or especially the Hall of the Axes<\/em> which was painted by Leonardo da Vinci<\/strong>. Among the masterpieces, let us mention a monument to Bernab\u00f2 Visconti<\/strong> from the 15th century, the funerary complex of Gaston de Foix<\/em> from the 16th, etc.<\/p>\n\n\n<\/a><\/a><\/a><\/a><\/a><\/a><\/a>Archaeological Museum – Prehistory and Protohistory Section<\/h3>\n
The Bronze Age and its evolution are documented with funerary urns, axes or spears, while from the Iron Age are exhibited the funerary objects of the Golasecca culture, including the rich “Warrior’s tomb” of Sesto Calende from the end of the 5th century BCE, and Celtic finds from the surrounding area of the 5th century BC.<\/p>\nArchaeological Museum – Egyptian Section<\/h3>\n
One section is devoted to the excavations carried out in the 1930s in the village of Tebtynis and in the sacred area of Medinet Madi where an important temple stood.<\/p>\n\n\n<\/a><\/a><\/a>Piet\u00e0 Rondanini-Michelangelo Museum<\/h3>\n
<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n<\/figure>\n\n\nPicture Gallery<\/h3>\n
The Room of Griselda is also a beautiful discovery, where the frescoes covering its walls illustrate the stories of Griselda<\/em>, the last tale of the Decameron by Boccaccio<\/strong>, originating from the Castle of Roccabianca. The pretty ceiling bears an original representation of the constellations.<\/p>\n\n\n<\/a><\/a><\/a><\/a><\/a><\/a><\/a><\/a>Museum of Decorative Arts<\/h3>\n
There is a collection of Murano and Bohemian glass (15th-18th c.), 20th-century ceramics, and a recent section of glass from the second half of the 20th century.
In the Ballroom are the complete cycle of twelve Trivulzio tapestries designed by Bramantino in the early 16th century.<\/p>\nMuseum of Furniture and Wooden Sculptures<\/h3>\n
<\/a><\/a><\/a><\/a><\/figure>\n\n\n\n<\/a><\/a>Museum of Musical Instruments<\/h3>\n
<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n<\/figure>\n\n\nVisit and tickets<\/h2>\n